One thing I learned about human emotion is how every feeling is just a version of wanting.
Today, I spent some time soaking in Jae’s eaJ project and I noticed exactly that—from wanting to be stuck in a beautiful moment (LA TRAINS), to thinking about someone in the midst of good news (Otherside), there is so much longing in these songs, and longing is something I’m well-versed in.
I survived a 5 year cross-continental, long distance relationship. During that time, helplessly wanting was the same as breathing. If these songs were alive then, it would span most, if not all, the different facets of my longing—from an explicit yearning for nothing but the other person (Pinocchio), to a more subtle need, this time, for clarity (Rose) cause yes, being apart from the one you love is blinding in its pain.
Even with a supposedly sullen track like Guess Not, eaJ ends up missing, wanting something that’s not there. “Funny how I left cause you were a lie, and now I’m one. Cause I said that I wouldn’t but I miss you so damn much”
My partner and I had and still have a great relationship, but separation of that extent is so crippling, it could break anyone. It was a lot of work to keep on talking over video calls, every single day, over your sadness, even when there’s nothing left to be said.
As I streamed all 10 tracks on YouTube (including the acoustic ones produced for 88rising), I noticed most of them are layered in warm reverb—from the soft acoustic guitars of LA TRAINS, to the various electronic keys in most of the tracks, giving an illusion of space, or nothingness in space, calling attention to your lonesomeness. On the other hand, Jae’s almost-whisper singing suggests an intimacy most of us crave.
Since these are more snippets than actual full-length songs, there’s no time to establish a traditional song structure—mostly an A part, at times a pre-chorusy transition to a B part. They’re straightforward, no bridges to bargain with, but not without a blow from a bass drop (Guess Not is a gratifying example) or a line that sucker punches you in the gut. 50 proof, a personal favorite with its soft, warm reverb piano, layered backing vocals, and Jae’s honey butter crooning is the pinnacle of longing (“who holds you on your 50 proof high… wondering all night, who loves you now”.)
I’ve been reunited with my significant other for a while now, but with that means leaving our homeland, my family and friends, and settling down in an unknown town an ocean away. Isolation is a new brand of longing, and it doesn’t comfort me to know that for other people, even in the midst of loved ones, even in a place you call home, one can still be held captive by it. In the time of covid especially, we’re learning new ways to yearn for those we hold dear.
Day6–my emotional support band!—is on break, and just recently, Jae on his podcast talked about how long someone could be alone. There is so much discourse on our need for connection and mostly, the first step to dealing with it is acknowledging it. Today, the eaJ project reminded me how much I long for human connection, like most do. At times, I feel helplessly alone, other times I thrive in its tranquility. For now, I stream eaJ, and Day6, and all other music that would fill this space of wanting, until someone or something comes along, loud enough to not hear the silence of solitude. 06/12/20